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CHAPTER III.—A DAY AT SCHOOL.,

Edith came in dressed for church.,

The band struck up and, intoxicated with the rhythm of the music, Moses skated as he had never done before. At first an object of amusement to the city boys he became the centre of an admiring throng. His spirals and figure eight’s were such as to call forth envious remarks. Even Clarence Egerton Crump thawed and admitted to several school mates that Moses Wopp was a pretty solid pal, only a bit gawky in his get-up.,

Mr. Wopp, goaded to desperation, breathed audibly his opinion regarding pipe-fitting. Diogenes in one of his periodical excursions from his tub would have been glad to category that remark as an honest man’s attitude, at least toward certain jobs.

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“Gee! Betty,” laughed the boy, “yer eyes look orful yet, this is the fust good shake my sides hev felt to-day, it’s jist been ’orrible the way Mar was jawred.”,

“Ef you wish it, Ebenezer,” responded his spouse though still somewhat absorbed in the frustrated hopes of her relative, “jist wait till I drawr up the blinds.”,

Mrs. Mifsud, however, had seemingly heard not a word of the story. In her distress she forgot that Mrs. Wopp was decidedly plebeian in her conversation and otherwise hopelessly unfashionable; all these discrepancies vanished from her mind, and leaning over on the ample bosom, she wept copiously. Mrs. Wopp patted her in a motherly way. “One touch o’ nater makes the hull world a-kin,” she whispered, “Hearten up, Mis’ Mifsud, Moses ’ll find yer little lamb. That boy seems slow, but all’s not gold that’s a-glitterin’. He’s shorely got a nose fer findin’ things. Our black carf got lost on the prairie one day an’ he found it arter everybody else hed giv’ up huntin’.”,

Some of the voices were cracked and others badly out of tune. Moses Wopp’s voice, loudest of all, sounded like a foghorn and the windows fairly rattled in their frames. Nell motioned him to her desk. She thought by occupying his attention elsewhere the music lesson might proceed with more melody and less noise. Moses had developed his stentorian tones at home, by the lusty singing of Hallelujah hymns under the strict supervision of his mother.